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[27 Jan 2010 | No Comment | ]
Research plan (26.01.2010)

Esityksen skitsoanalyysi ja subjektivaation murros tietokapitalismissa.
The Schizoanalysis of performance – rupture of subjectivization in cognitive capitalism.
1 Immanenssi ja todellinen – bare life and collaboration (Soul) (Goat Island)Kaikki
2 Subjectivization and Osmotic (copoietic) Performance – collective subjecitivation. Kaikki (Lygia Clark)
3 Työ, the new performer and creative self (Joseph Beuys) lisää
4 Obstructions and rules – silmukka variaatioita ja OuLiPo of performance lisää
5 Schizoanalytic metamodelization of performance Kaikki
6 Repetition, fold, ritornello. Howell and Deleuze
7 Evil eye and fascinance – for the performing subject
8 Affect of the event – Depression economy – 2nd artistic …

Research »

[27 Jan 2010 | No Comment | ]

Osmotic Performance of subjectivization – a schizoanalytical artistic research on the potentiality of collective subjectivization within the processes of art-making and between the relationships of audience and performer.
This is a first version of this text, which is in progress.
(Topics: subjectivity, post-fordist condition, joy, trauma and a-signifying processes.)
AA: Micropolitical level

Production of subjectivity
Affect ability
Relationship to copoiesis, to context of art world. The strategizing of art markets.

Introduction
My starting point on the research of the production of subjectivity is how it is done in the context of post-fordism, in fine-arts and in culture in …

Research »

[24 Sep 2008 | No Comment | ]

FASCINANCE AND FASCINUM

Multitude between Evil Eye and Creation
Paper presented at the conference ’Power: Dynamics, Forms of Consequences’ Tampere, 23rd of September, 2008.
Session: Arbitary Power: Ecologies of Power and Resistance in Cognitive Capitalism.
Chair: Akseli Virtanen
This paper is work in progess.
ABSTRACT
Pscyhoanalyst and visual artist Bracha Ettinger developed a concept of ‘fascinance’ in opposition to Lacan’s ‘fascinum’. In which fascinum – ‘evil eye’ or ‘spell’ – is set as a freezing visual element of gaze, that I do not see. But fascinance behaves differently. It is a matrixial, creative and transformational …